Welcome to the MSA BLOGs

Songwriting Methods Minnesota Mike

How To Effectively Break the 4th Wall
Mike Mielenhausen Mike Mielenhausen

How To Effectively Break the 4th Wall

Background: In the early to mid-2000s, we saw an increase in shows that used breaking the 4th wall as a narrative device.  This happens when one of the characters looks and/or talks directly into the camera, acknowledging that this is indeed a TV show.  It has also been done to humorous effect in movies like Spaceballs, in which the characters are looking directly at what’s happening in the movie at the same time we are.  But what about doing this in song?  In my opinion, it’s okay to do it if you’re going to commit to it.  If it’s just a filler line, it feels to me as the listener like you could have put in a little more effort as the writer.  For example, in Brad Paisley’s “She’s Everything,” he lists off a handful of things that she is (metaphorically,) and then ends the second verse by saying, “She’s the song that I’m singing.”  With the title being what it is, that’s an unnecessary line.  So we’ll look at songs that completely commit to breaking the fourth wall.

Read More
Outdated Visuals
Mike Mielenhausen Mike Mielenhausen

Outdated Visuals

Background: There are some songs that are timeless, and they work because they deal with the human experience, and not a trend: A midnight train, something that cuts like a knife, or a mountain that won’t keep me from getting to you. But sometimes, we use outdated visuals to get our point across, and somehow the song still holds up. The focus of this blog will be songs that have been popular (if not “hits,” as defined by my Billboard rules), while still using those outdated visuals.

Read More
Writing on Assignment
Michael Mielenhausen Michael Mielenhausen

Writing on Assignment

Background: In my second blog about character development, I mentioned a quote from Carole King, that praised Joni Mitchell’s ability to write for herself, rather than writing on assignment, or writing for other artists, as King did in the early days of her career.  Mostly, we have focused on people who have written the songs they sing.  But it is also important to talk about the people who write songs for other artists.  Though songwriting also involves composing, for purposes of this blog, “writing” will be focused on writing lyrics.

We will look at “writing on assignment” from four different standpoints

  1. You write the lyrics, someone else writes the melody

  2. You write the lyrics and the melody for a movie or TV show

  3. You write the song for another artist 

  4. You write the song and someone else cuts it

Read More
Stone Cold Rhymin’
Mike Mielenhausen Mike Mielenhausen

Stone Cold Rhymin’

Background: Now you may have read the title of this blog and thought, “There’s absolutely no rhyme or reason for it!” My friend, Mark, who is not a songwriter, but an appreciator of music, asked me when I was going to be writing about rhyme schemes. Mark suggested it and I thought it was a great idea. So I will be breaking down the rhyme schemes of four different songs, and how they affect the rest of the song, melodically and structurally.

Read More
Character Development, Continued
Mike Mielenhausen Mike Mielenhausen

Character Development, Continued

In an earlier blog, we talked about how to develop characters within songs, through either personal experience, making up a character, or making up details about an existing character.  All the other blogs since then may have seemed a little bit out of character for me, so I figured I’d revisit this topic in this blog.

Read More
Similes in Songs
Mike Mielenhausen Mike Mielenhausen

Similes in Songs

Let’s talk about a way to paint a picture within your songs: Metaphors. As a grammar nerd, I’d probably roast you for not knowing the difference between a metaphor and a simile. But when discussing music, I tend to use them interchangeably.

Read More
Metaphors Be With You
Mike Mielenhausen Mike Mielenhausen

Metaphors Be With You

Let’s talk about a way to paint a picture within your songs: Metaphors. As a grammar nerd, I’d probably roast you for not knowing the difference between a metaphor and a simile. But when discussing music, I tend to use them interchangeably.

Read More
You Don’t Have to Write a Hit to Write a Hit, Continued
Songwriting Methods Mike Mielenhausen Songwriting Methods Mike Mielenhausen

You Don’t Have to Write a Hit to Write a Hit, Continued

Blog 4: You Don’t Have to Write a Hit to Write a Hit (Continued)

The first round of this blog was such a success, that I decided to continue writing about songs that were not, according to Billboard, a success.  Just as a reminder, for our purposes, we’ll define chart success as any song that didn’t peak higher than 21 on the Billboard charts.  For this blog entry, we’ll also be looking at a few international artists, whose singles didn’t chart in the U.S.

Read More
Billboard Top 200 Over the Years
Songwriting Methods Mike Mielenhausen Songwriting Methods Mike Mielenhausen

Billboard Top 200 Over the Years

Blog 3: Billboard Top 200 Over the Years

History: The Billboard Chart took its current name in 1967.  In this blog, we will discuss the number 1 single from the first week in January through 6 consecutive decades (1967-2017).  Though the genres may change, some things will just always work for hit songs.  Let’s dive in!

Read More